Empire Burning – Eugene Gilfedder & !Metro Arts Independents

Empire Burning
Written and Directed by Eugene Gilfedder

SEASON: Friday 13 to Saturday 28 May

WHEN: Tuesdays to Saturdays at 7.30pm
BACKCHAT: Wednesday 18 May, Artist Q&A after performance

WHERE: Metro Arts, Sue Benner Theatre
TICKETS: Adults $20 Concessions $16

PERFORMERS: Damien Cassidy, Dan Crestani, Michael Futcher, Eugene Gilfedder, Finn Gilfedder-Cooney, Sasha Janowicz, Niki-J Price and Steven Tandy
SOUND DESIGN BY John Rodgers and Ken Eadie
LIGHTING DESIGN BY Geoff Squires
VISUALS/PROJECTION DESIGN BY Freddy Komp

Groups 10+ $12 Cheap Tuesdays $12 door sales only
Preview $12 (Tuesday 10 May)

Further information: http://www.metroarts.com.au

 

 

First quarterly report: jobs onstage

Here it is. Further to an earlier post Jobs for the girls: logging the stats and as promised, herewith the first of 4 planned reports of cast numbers in programmed productions for both subsidised companies in Brisbane in 2011.

Plays include: Julius Caesar; Boy Girl Wall (La Boite) and Sacré Bleu; Man=Man & The Elephant Calf; Water Falling Down – opens this week (Queensland Theatre Company)

 

 

As at 4.4.11

 

Any errors or omissions, please let us know.

Not included in the stats is employment in play-readings, workshops and other creative development activities for both companies which, to be fair, include job opportunities for actors.

A much better and fuller picture would include figures for independent productions. Whilst this would be problematical as a ‘living-wage’ employment statistic – most indie productions are stipend or fee-based, deferred payment or non-waged – it would give a sense of how many performance opportunities are being made available for female actors, which is where this conversation began.

The Glorious Nosebleed: Monsters Appear at !Metro Arts (Allies)

MEDIA RELEASE:

Absurdity, time travel and mystery are set to drench the Sue Benner Theatre this April, when Monsters Appear present THE GLORIOUS NOSEBLEED.

‘THE GLORIOUS NOSEBLEED is an original theatre work which tells the tale of two adult? children and the extraordinary things that happen to them when they face grim circumstances’, says Benjamin Schostakowski, performer and co-deviser of the work.

Schostakowski and fellow co-devisor/performer Athalia Foo play strangers, a young boy and girl who find themselves trapped in a mysterious underground room. Their subterranean night is relayed through a fractured series of interconnected images and scenes. The audience pieces the production together to build their own understanding of the night’s occurrences ? one of course being the glorious nosebleed. This seemingly sinister duologue reveals the magical inside world of children’s creative minds, exploring time, entrapment, intrigue and escapism.

Monsters Appear is an emerging Brisbane independent theatre collective comprised of Benjamin Schostakowski, Athalia Foo and Nikki Taurau. The collective present new contemporary performance works that aim to provide a unique experience for their audiences. Their work melds together traditional theatrical devices and modern technologies. Monsters Appear employ visual stage images, illusion, projected images and minimal dialogue to play with space and time. With a zealous theatrical sensibility, they aim for the unexpected.

‘This production marks our opportunity as a collective to present our theatre work in a professional context. It’s devastatingly exciting for us as emerging Brisbane artists’ says Athalia Foo.

Tickets now on sale.

SEASON: 30 March ? 9 April 2011, Preview 29 March WHEN: Tuesdays – Saturdays, 7.30pm WHERE: Sue Benner Theatre, Metro Arts 109 Edward Street, Brisbane.

TICKETS: Adults $20/ Conc. $16/ Preview $12/ Group (10+) $12 Cheap Tuesdays: $12 (door sales only)

BOOKINGS: (07) 3002 7100 or http://www.metroarts.com.au

 

 

Circus: a double bill – The Brink at JWCoCA

The Brink presents a double bill of circus at the Judith Wright Centre of Contemporary Arts featuring the World Premiere of Natano Faanana’s new work, Baggage Carousel followed by Jess Love’s And The Little One Said.

Ever wondered what it’s like to grow up in the world of circus? Natano Faanana’s comically endearing new work Baggage Carousel takes the audience on a journey of discovery; following three teenage Brisbane circus stars as they share their personal stories on stage.

Growing up as a teenager has its ups and downs. But growing up as a teenage circus performer has its ups, downs, twists and half turns. What happens when the little cutesy star of a show turns into a teenager? When did the lanky, uncoordinated, nervous boy become a man? Why does the teenage girl who turned heads because of her height and talent now turn heads for other reasons?

In his directorial debut, circus legend Natano Faanana (Briefs) explores the inevitable shift from child star to their next incarnation. Three of Brisbane’s brightest young circus artists, T’La Morrow, Rhett Morrow and Abbey Church, recount their slightly charming but mostly awkward and confronting transitional years into adulthood.

Baggage Carousel is an energetic, engaging and truly intimate performance.

The second show within this double bill is the award-winning sell-out premiere season of And The Little One Said. Don’t miss Jess Love of The Candy Butchers and her “hilarious” but “death defying” and “charming” solo show.

Through dark clowning, dirty acrobatics and surreal sideshow feats including roller- skating and a hula-hoop this brilliantly skilful, quirky comedienne creates carefully crafted circus through clever storytelling, awe-inspiring imagery and a healthy dose of slapstick.

Written and performed by Jess Love (Circus Oz, Circa) and directed by Stephen Burton, And The Little One Said combines high-level circus skills with pathos, humour and beauty to create a performance that is touching, enchanting and playful.

The Brink is a celebration of Australia’s newest and most exciting circus companies.