More matter with less art.
William Shakespeare -

Images: Full Circle Theatre (supplied)

Of course I loved it. There’s very little not to love about an intelligent, heart-felt play, fine performances, and sensitive direction in a space that seems so absolutely tailor-made for this show. Brisbane Powerhouse’s Visy Theatre is an intimate, welcoming space where the audience is never far from the on-stage action and A Tender ThingBen Power‘s play (originally commissioned by the Royal Shakespeare Company) fits it like a glove.

Linda Davey directs Flloyd Kennedy and Michael Croome as the contemporary, 60-something, star-crossed lovers Romeo and Juliet who are living in blissful, loving retirement on a coast somewhere. Their love is, indeed, tender. The tides lap and wash the days as they pass – Scott Norris provides the soundscape design and Daniel Anderson lights the bedroom and surrounds of Romeo and Juliet’s beachside house – a beautiful design by Freddy Komp augmented by AV from mk2.

As Time – that old enemy – passes, their love, deeper than ever, is challenged by changing circumstances. I don’t wish to spoil the key event for audiences; it came as a shock to me and I think the play is more powerful when it works on audiences who are unsuspecting. I love plays that wrong-foot you so ingeniously … [click to continue…]

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Image: Brad Jennings & Steven Maxwell – (c) Greenroom

One December day, about 5 years ago I interviewed Brad Jennings and Steven Maxwell as part of Apple’s Create World Conference. That year I was part of the Create World team using podcasts and blog posts to capture the points of view from creative people working in (mostly) higher education. I remember at the time thinking how interesting was the aesthetic concept of what they were calling ‘cinematic theatre.’ I managed to see a snippet of the way Brad and Steven integrated it into performance via a short performance they presented at that conference.

In the past 5 years I’ve seen their work in production (The White Earth for La Boite Theatre and August Moon for QTC among others). Markwell Presents is a name that’s been appearing more and more, and especially in education circles. It turns out that, among other things, they do about 12 artistic residencies in schools each year, an amazing number, I think. You can check the scope of their work on their website, but I wanted to talk again with Brad and Steven and find out how cinematic theatre and their work has progressed in that time and what lies ahead for them. [click to continue…]

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Review: Frankenstein – Fractal Theatre at Brisbane Arts Theatre

by Kate Foy 6 May 2013
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Images: Geoff Squires Frankenstein, written at the start of the 19th century, has taken deep root in our culture. It’s a sprawling, gothic-romantic novel, considered by some to be the [...]

Review: Animal Farm – shake and stir theatre company: Empire Theatre (Toowoomba)

by Kate Foy 5 May 2013
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Images: Stephen Henry shake and stir are no strangers to Queensland theatre and, now that they’ve completed two national tours, are becoming familiar to audiences Australia-wide. Last week I caught [...]

Nick Skubij (Interview 36)

by Editor 30 April 2013
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Nick Skubij is one of the artistic triumvirate that heads up the enormously successful shake and stir theatre company. Their name may be minimalist lower case but there’s nothing small-scale [...]

Review: Rumour Has It: 60 minutes inside Adele – The Little Red Company at Judith Wright Centre of Contemporary Art

by Kate Foy 25 April 2013
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Image: Dylan Evans Confession – until last year when I heard Naomi Price was appearing in a stand-up piece (Cheer the Fuck Up, Adele) for the Broadway Unplugged series at Stockholm [...]