Review: James and the Giant Peach – Harvest Rain Theatre Company at Cremorne Theatre QPAC

Southbank was teeming with littlies yesterday. Of course, it’s summer time and school holidays so, apart from swimming and eating icecream on a hot Brisbane Saturday afternoon, there were lots of things to do – singing, mask-making, theatre-going and story-telling among them. I had lunch while a bunch of what looked like under-5s were jumping and rolling around on the QPAC Green. They were learning all about Iggy the Iguanadon via a song – we have the Queensland Museum to thank for this, I suspect. I wished I had a small person with me; it looked so much fun and I wanted to share it with them. There were also a whole lot of families getting stuck into creative activities in the Playzone. Upstairs Mary Poppins was about to take off while, just down the road at the Cremorne Theatre, kids and their adults could go to a matinée performance of Harvest Rain’s latest production James and the Giant Peach, adapted by David Wood from the story by Roal Dahl. That’s where I was headed.

I remember this particular book from years ago. My kids loved being read to and then to read Dahl’s books as they got older; he remained a favourite into young adulthood. They switched their imaginations on and escaped into other worlds via books – at first picture books and then the word-dense stories like James and the Giant Peach. It’s a lovely fable about the capacity of imagination to transform lives. Continue reading “Review: James and the Giant Peach – Harvest Rain Theatre Company at Cremorne Theatre QPAC”

Songs for a New World (Review): Harvest Rain

With a few quibbles, I really enjoyed my first Harvest Rain-produced musical, Songs for a New World (1995) by Tony award winning composer Jason Robert Brown, directed by Tim O’Connor.  Four principal singers (Angela Harding, Luke Kennedy, Naomi Price and Luke Venables) are backed by a five piece band (Daniel Gibney, Daniel Grindrod, Marcus Parente, Jack Kelly and Matlohn Drew) and an acting ensemble of twelve – Harvest Rain’s interns getting some valuable on the job training.  The JWCoCA studio is a perfect space for small, ‘chamber musicals,’ and I fantasised as I drove home about how great it would be if Brisbane had a permanent small space dedicated to this kind of work, perhaps linked or associated in some way to music theatre training institutions around the state.  Anyway …

Songs for a New World is a play about relationships, and one of the more fragile of human emotions: hope.  It’s in the ‘small’ show musical class; the revue-style format is more of a mood piece, an essay as opposed to the full-blooded narrative book of most musicals, at least the blockbusters that many have come to associate with the American musical theatre.  Like others before and since, this musical work doesn’t rely for its success on big production values, but on the integrity and quality of the ideas, its music, and on the ability of a production to engage with the piece.  The play focusses on individual stories drawn from a cross-section of American society, people at decisive moments in their lives.  As a song-cycle, the work is also very much a musical-theatre actors’ piece, a meditation that explores a life’s realities set against its aspirations. Continue reading “Songs for a New World (Review): Harvest Rain”