Image: Morgan Roberts
I met with Chris Beckey in July for coffee and a chat at The Three Monkeys in West End. Chris was then appearing in CALIGULA for The Danger Ensemble. As I edit this long-overdue post, he is preparing for the Brisbane Festival’s production of Ibsen’s A DOLL’S HOUSE in an adaptation by Lally Katz. Once again, he is working under the direction of long-time creative collaborator Steven Mitchell Wright.
That afternoon I asked Chris, as I do all artists I interview, what had brought them to where they are now. We end up talking about process as the afternoon ticked away. Continue reading “Chris Beckey (Interview 44)”
Rob Pensalfini is a busy and much-travelled man. I found out just how much when I asked him (jokingly) what had brought him to Verona. He’s currently directing and appearing in Two Gentlemen of … for the Queensland Shakespeare Ensemble. He’s also QSE’s AD, and has been since its inception in 2001. He’s proud of the fact that QSE has grown and, indeed, lasted for over a decade. That’s pretty good for an independent theatre ensemble. ‘We have a committed core of artists and it now feels artistically stable and progressive.’
But first … the road from Perth (where Rob, the son of Italian migrants, was born and raised) to Brisbane – wound its way via the US and the Australian western desert country. By the way, Rob has a PhD in Theoretical Linguistics from MIT (Boston). The Boston part is important to Rob’s story. You could say that it was here that he had his theatrical epiphany or, at least, that the seeds for QSE were sown. Continue reading “Rob Pensalfini (Interview 30)”