Images: Dylan Evans
Brisbane’s winter theatre season is in full-swing each year come July. I often remark to fellow theatre-lovers that we’re spoiled for choice these days – halleluia! It hasn’t always been this way, of course.
Wednesday night last week and we had a world premiere of Kathryn Marquet‘s entertaining new work PALE BLUE DOT, directed by Michael Futcher. It was also the first opening night for new La Boite Artistic Director Chris Kohn and the first time we’ve had a play set in Toowoomba. (Cheer for the home town.) Continue reading “Review: Pale Blue Dot – La Boite Theatre Company at the Roundhouse”
Images: Dylan Evans
It’s tempting to discuss the plethora of socio-cultural themes and talking points that always seem to emerge whenever George Orwell’s, 1984 is rediscovered. However, and in the spirit of sparing our Greenroom readers an exhaustive and exhausting deconstruction of the source material, I want to focus more specifically on shake & stir’s interpretation, appropriation and ultimately adaptation of the classic novel first published in 1948. Continue reading “Review: 1984 – shake & stir theatre company at QPAC Playhouse”
Despite having theatrical friends up the wazoo and schlepping myself to every show in town, I have never actually met Naomi Price. More’s the pity, because after first seeing (and loving) her in the fabulous and successful cabaret, Rumour Has It at the Judith Wright Centre and now in her second pop diva offering – Wrecking Ball, at the Brisbane Powerhouse – I actually believe that if the universe deigned to bring us together, we would be firm friends. Can anyone say fan crush? Not only does the girl sing like the devil himself crafted her chords, she’s funny as a loon, shakes her booty like no one’s business and knocks back punter’s wine – right out of their hands. Oh my Lord, please be my friend Naomi? Continue reading “Wrecking Ball and Vinyl Viagra – the little red company at Brisbane Powerhouse”
Guys and Dolls – what an absolute cracker of a show. I’ve seen it live several times, watched the (1955) movie with Frank Sinatra and Marlon Brando more times than is normal, and even played Miss Adelaide in my hometown’s local production. Needless to say I was thrilled to be headed to QPAC’s Concert Hall last Friday night for the opening of this play the first for Harvest Rain Theatre Company’s 2014 Season and also first full season as a professional musical theatre company.
The show is set in New York in the 1940s and most of the action takes place on and around Broadway (with a flying visit to Havana). The central plot of Guys and Dolls is a romance; it follows the story of gambler, lady’s man and ‘sinner’ Skye Masterson who, as a result of a misplaced bet, falls in love with Sarah Brown an earnest, uptight, Salvation Army missionary. The subplot includes another romance in a different key – that between Miss Adelaide a Broadway showgirl and another gambler, the hapless Nathan Detroit.
The show opened at the 46th street theatre in New York in 1950 and has enjoyed immense success ever since. The book by Jo Swerling and Abe Burrows is hilariously timeless, and the music/lyrics by Frank Loesser are an absolute delight. Revered classics such as Sit Down You’re Rocking the Boat performed so joyfully in this production by Daryl Somers playing Nicely Nicely Johnson, and Luck Be a Lady are, of course, remarkable, but it is the lesser know numbers such as Sue Me, More I Cannot Wish You and Marry the Man Today that really show Loesser’s genius as a lyricist and composer. It’s a classic of the modern American musical theatre and is a great choice for Harvest Rain. Continue reading “Review: Guys and Dolls – Harvest Rain Theatre Company at Concert Hall QPAC”
Images: Dylan Evans
It’s the middle summer and in every suburb the cry goes up, “We’re booored!” Kids and their parents are desperate for diversionary tactics to stem the tide of wailing and to escape into the relief of some air-conditioned goodness for an hour or two. Just in time, as they do each year, La Boite Theatre Company produces a show to delight the generations. This year the inimitable shake and stir return with an adaptation of two of Roald Dahl‘s classic books. It’s a compendium of naughty nursery tales entitled Revolting Rhymes and Dirty Beasts directed by Ross Balbuziente.
Our house has an almost 30 years old, wonderfully dog-eared, much-loved copy of Revolting Rhymes lying on a shelf somewhere, and I think Dirty Beasts is somewhere at the bottom of a playbox in the shed – stuff you can’t throw out because the memories they hold are too precious. I recall the fun we had at bedtime perusing Quentin Blake’s great line-drawing illustrations and ‘doing the voices’ of the mad array of characters that Dahl brought to life. Gosh, is it that long ago. But to the production … Continue reading “Review: Roald Dahl’s Revolting Rhymes and Dirty Beasts: shake and stir and La Boite Theatre Company at the Roundhouse”