This Week in Queensland Theatre: February 15-21

Cover of "Hamlet"
Cover of Hamlet

For further details check company websites

The National Play Festival is in town with a huge range of readings, workshops and presentations.  You can get the details on their terrific website.   Hamlet and The Little Dog Laughed continue for La Boite and Queensland Theatre Company respectively.  Blog discussions on both productions can be found by following the links to posts in Greenroom’s live feed column on the home page.  Incidentally, you might be interested in this poster which just popped up out of nowhere; it’s from the the 2000 film production of Hamlet in which Ethan Hawke appeared as our film-student hero.

Opening:

The National Play Festival

Continuing:

Hamlet by William Shakespeare dir David Berthold at the Roundhouse

The Little Dog Laughed by Douglas Carter Beane dir Michael Gow at the Cremorne Theatre, QPAC


Other:

Commissioning W/rights Industry Panel at !Metro Arts Studio (6.3opm Tuesday) followed by a free performance of  Chasing the Lollyman by Mark Sheppard dir Liz Skitch Debase TC

This Week in Queensland Theatre: February 1-7

February today, and that means the 2010 theatre season is getting serious, especially with previews of Hamlet, the first production for La Boite Theatre by its AD David Berthold, and the start of WTF (World Theatre Festival) at the Powerhouse and various other locations.  The local interwebs discussion on the nature of Residencies at QPAC continues on various blogs (Performing Arts Blog and XS Entertainment) and via Facebook commentary.

For dates and times check company websites

In Preview and Opening:

WTF – World Theatre Festival at the Powerhouse and various locations (Tuesday)

Hamlet directed by David Berthold – La Boite Theatre at the Roundhouse (Saturday)

Continuing:

Chasing the Lollyman Debase Theatre at !MetroArts

Other:

Talking Shop at the Judith Wright Centre for Contemporary Arts, The Valley.  (Wednesday 5.30-7pm)  This month Sue Rider will facilitate a conversation about theatre direction.  How can we find ways to develop our theatre directors?  How do we give and receive feedback?  How can we engage with each other’s work?  What mentoring models exist?