World Theatre Day Goes Digital Again

This is the second year in which theatre lovers around the world have used online social networking apps to hook up, promote theatre, and have a generally good time celebrating the art form we all love.  World Theatre Day is held on March 27 each year, and last year Brisbane companies joined in with gusto.  This year, the global organisers are hoping more groups and individuals will come on board again for what turns out to be a very long day of celebrations.

In March 2009 NZ and Australia were among the first in the world to begin the global party on the stroke of midnight.  As the day extended others joined in from round the world and posted up images, audio files and videos via the WTD Tumblr.  This year there’s talk of Skype-hookups and live streaming of improv performances, even a bit of  invisible theatre on a couple of contentious political issues right now; someone wants to have a crack at internet censorship in Australia, for example.  Now that we all have smart phones, this is a distinct possibility.

The WTD blog site is the hub of all this activity, and it’s here that you can find ideas for your group as well as to read the history of World Theatre Day, which is sponsored by the International Theatre Institute (ITI).  By the way, it’s a tradition to have the WTD address (which is written each year by a prominent theatre person) read out before performances, alternatively to be posted in foyers and company bulletin boards on the day, or just generally acknowledged on theatre’s ‘one day of the year.’  Last year’s was written by Augusto Boal.  You can read Boal’s address on the ITI page.  I think Augusto would have approved of all this global networking – especially the invisible improv and political theatre that some UK and Aussie groups are cooking up.

This year a WTD Facebook page had over 500 800 fans the last time I looked. Why don’t you become one as well, and pass on the word via your own networks.  It would be wonderful to have theatre in Queensland well represented on Saturday March 27 for World Theatre Day.

Of course WTD has a Twitter stream @WTD10 and a hashtag #WTD10 if you post there.

The organising group had a ball last year in our own necks of the woods, enough to want to see the online celebrations of WTD continue, so we dipped our toes into the Google Wave app for our initial meetups earlier this year.  The upshot is that we as the dealers give you the ideas and the forums to publish, but you’re the pushers – you get the word out and do what you do in your own way.   Check out the blog, the FB, Twitter, and let us know what you are planning.  It’s even better if you integrate WTD into something you’re already working on; everyone is flat out, and the idea is not to do something additional, but to mark the day and share your celebrations.

Over to you!

PS   You can read a bit about how I got involved in a post on my own blog Groundling from last year.

The Flowering: JWCoCA

Donna Cameron wrote and performs in her one-woman work directed by Sue Rider. Check the Judith Wright Centre of Contemporary Arts website for details.

Online Reviews and Blog Commentary

Curtain Up

Musical Theatre in Australia: where to now?

Harvest Rain an independent theatre company  based in Brisbane recently hosted a forum on The Future of Musical Theatre in Australia.  This formed part of their Summer School activities.

Here’s Part 1 of the forum chaired by performer Queenie van de Zandt.  The introduction of the participants is longish, so you might want to skip forward to around 3’40” to legendary performer Nancye Hayes’ quick summation of how musical theatre in Australia has changed since the early 60s when she began her career with J C Williamsons.  John Kotzas CEO/Artistic Director of QPAC (Queensland Performing Arts Trust) chimes in with his take on why musical theatre is so popular in Brisbane.  Worth a look, so thanks Harvest Rain, and keep them coming!

http://www.youtube.com/watch?v=nkHlj5mPz3w

And then there’s Oscar Theatre Company, another Brisbane-based independent musical theatre group.  Here they are in a rehearsal for their Cabaret and Season launch on 22 February.  Slick little vid production too. Get ready for a whole lot more!

http://www.youtube.com/watch?v=RDNAM9Z-zjk

Joymas Creative kicks off their year in April with Megan Shorey’s new work, the all-female Handle With Care, directed by Lewis Jones.  This Brisbane-based group is dedicated primarily to bringing original Musical Theatre productions and contemporary projects to astute Queensland audiences.

This Week in Queensland Theatre: February 1-7

February today, and that means the 2010 theatre season is getting serious, especially with previews of Hamlet, the first production for La Boite Theatre by its AD David Berthold, and the start of WTF (World Theatre Festival) at the Powerhouse and various other locations.  The local interwebs discussion on the nature of Residencies at QPAC continues on various blogs (Performing Arts Blog and XS Entertainment) and via Facebook commentary.

For dates and times check company websites

In Preview and Opening:

WTF – World Theatre Festival at the Powerhouse and various locations (Tuesday)

Hamlet directed by David Berthold – La Boite Theatre at the Roundhouse (Saturday)

Continuing:

Chasing the Lollyman Debase Theatre at !MetroArts

Other:

Talking Shop at the Judith Wright Centre for Contemporary Arts, The Valley.  (Wednesday 5.30-7pm)  This month Sue Rider will facilitate a conversation about theatre direction.  How can we find ways to develop our theatre directors?  How do we give and receive feedback?  How can we engage with each other’s work?  What mentoring models exist?