We’ll miss you Mr Newman

He had to wait a long time to win an Academy Award (The Color of Money 1986) a source apparently of much good-humoured banter over the years between Paul Newman and his Oscar-winner wife Joanne Woodward. But oh how he deserved one for sheer masculine presence on the screen. Not only was he ridiculously good-looking … and didn’t he age well by the way … but he was also a screen natural, charismatic before we used the word to describe the special attraction some gifted individuals have for both men and women. I had a black and white poster of ‘Paul’ on my bedroom wall … just like every other young woman of a certain age back then. It had only one patch of colour – those blue, blue eyes. Remember that one?

Cursed early on in his career by comparison with James Dean, Newman unlike the tragic Dean went on to carve his own inimitable style up there. There seemed to be nothing ever remotely tragic about the Newman public persona, despite his losing of a child. That was private, and off limits like the rest of his exemplary family life. Regular guy … good bloke.

He had a good-humoured way about him that showed on and off screen; it undoubtedly belied his utter professionalism, like his strength in the face of disappointment and sorrow. No precious artiste was Newman, just a brilliant actor who seemed always on top of his game no matter the decade of his long life. And of course he paved the way for the celebrity as humanitarian and activist that we’ve come to take for granted from so many who’ve followed.

He died this morning aged 83 after what we might call a good innings, though I guess for Newman it would be more accurate to call it a great race. Bye Paul. I hope heaven has all the fast cars and beers you deserve. We’ll miss that championship breed that you represented so well.

Time Entertainment does a nice obituary here.

Auf wiedersehen Cabaret …

Theatre is a cruel mistress sometimes, and never more so than when she breaks up a tight-knit ensemble at the final curtain. Many (like me) deal with this psychic termination, the ending of a beautiful relationship by treating fond farewells as lightly as possible … ‘No goodbyes … see you around.’ It’s easier that way. And so it was this evening as the last performance of Cabaret at the Empire Theatre finished the season.

It’s been a quite wonderful time for me personally, and I’d wager for the entire company. We gathered post-show to formally farewell the ensemble in the studio, the site of rehearsals and warmups and that first meet and greet 10 weeks ago. There is no doubt that this production was a success artistically; it was a fine production shaped by the chief creatives: director Lewis Jones, designer Greg Clarke, musical director Lorraine Fuller, and choreographer Alison Valette. As important as financial and artistic success however, was the opportunity the production gave to nurture and further the talents and aspirations of the young men and women who worked backstage, onstage and in the orchestra pit. This is where organisations like the Empire Theatre are worth their weight in gold; they are helping to build the city’s and the country’s cultural capital, and readying the next generation for leadership in the arts community.

The final performance was a matinee, and it was a joyous occasion on several levels. For us, it had the edge of our wanting to make it the best it could be for us and for our audience. Some audience members returned to experience the show for the final time, and were joined by many first timers, but as always, they bonded to became that unique living organism known as the audience. Ask any theatre actor and they’ll confirm that no two audiences are alike. Today’s were warm, responsive, and not afraid to let us know it. I felt a thrill when I heard a ‘wow’ at the end of my final song. An audience feels a good show in unison and the actors feel it in return. Our audience this afternoon sent us out in style. The rest of the formal disbanding is happening as I write … an after-party which I fore-went. I like to keep my memories … of the faces, the experience within the confines of the theatre space. But we’re scattered now.

So it’s time to pack up the program and clippings, the cards, to swap images on Flickr, to bask in the memories, maybe plan for next time but just get on with the other things we do in life.

Auf wiedersehen, a bientot, goodbye …

SAG Awards … strength in union

Mostly I hate awards shows on television apart from the frocks and curiosity as to who will get the loot and who gives the best speech. I think you probably have to be there to appreciate the thrills involved at these dos. It was nice though to see the SAG awards ceremony today on cable tv. Everyone was all dressed up as they usually are, the frocks were lovely, the blokes brushed up well, the intro speeches were scripted to sound as flat and predictable as ever, but the individual thanks were heartfelt. What was great to see was the fact that there was a ceremony at all. It was about union solidarity. The workers united … writers and technicians said thanks to the actors for their support during the ongoing strikes, and the show (as it must) went on. Nice.

You might have caught the whole smart series of Speechless ads, actors in support of the writers’ strike. All 33 episodes are here on YouTube. This one is my favourite. Shows what good actors can do with any script.

Day 1 of the rest of my blog

Welcome or welcome back to Groundling. We’ve made the move across to another domain server which will provide lots more flexibility.

I hope you’ll consider sticking around by subscribing … hit the big, orange button up there in the top right-hand corner. This means you won’t miss a post! Alternatively, bookmark Groundling and drop by from time to time. I post a couple of times a week and plan on occasional guest posts as well. Your comments are really important; blogs are about conversations. I know of no other community that can gab as thrillingly as the theatre community, so please consider joining in. Of course, feel absolutely free to lurk and browse. It’s a greenroom after all.

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Gone but not forgotten: my best of 2007 theatre

Wharf Sydney Theatre Company
Image by Dramagirl via Flickr

AMPAG Calendar Cover Hamlet.

Theatre’s been my life and passion for as long as I can recall. Even as a child I remember getting the **tingles** in my fingers as the house lights went to half, and the overture swelled or the curtains parted. The curtains may have gone from most theatres, but not much else has changed … you can add sweaty palms, and sometimes churning stomach to the list above when I became a professional.

I’ve had quite a few tingles this past year as audience and professional … tingle junkie me. Time to jot them down. Continue reading “Gone but not forgotten: my best of 2007 theatre”