Gripped by the actor’s power: Eugene Gilfedder (Interview 10)

Waiting for Godot (QTC) with Bryan Probets
Grimm Tales (QTC)

Eugene Gilfedder is lining up for his third Hamlet – the first was as the prince himself in Shakespeare’s version some 20 years or so ago, and this time it’s in the Australian premiere of Steven Berkoff‘s The Secret Love Life of Ophelia for Fractal Theatre, opening on Friday. Earlier this year he appeared to acclaim as the Ghost and Uncle Claudius in La Boite’s production of the play.

After a long regional, national tour last year with The Kursk, Eugene’s now really enjoying what has been a year so far back-to-back with terrific roles. As one of the most respected as well as busiest actor in town, it’s almost as though his career has had a resurgence, though, as he tells me, he has notched up over 150 productions on stage over the years. ‘It’s been extraordinary to last this long,’ he tells me, ‘and to still be performing.’ It all began as a child, when as part of a large family, he found himself organising his siblings and devising performances at home and later at school.  ‘From Grade 8 on I just took charge! Acting has been my life.’ Continue reading “Gripped by the actor’s power: Eugene Gilfedder (Interview 10)”

Creative Development of new Elaine Acworth play for EPC Toowoomba

Empire Theatre Projects Company in Toowoomba (EPC) are now calling for expressions of interest from emerging and established arts professionals to take positions within the creative development phase of a new play Water Wars by Elaine Acworth:

The four positions are:

  • Directing Secondment
  • Female Actor age – 27-35 ‘Gally’ a wife and mum
  • Female Actor age – 60+ ‘Mrs P’
  • Male actor age – 18-25 ‘Cal’ Gally’s 7yr old son

Water Wars is a timely and darkly funny exploration of what happens between neighbours as the drought gets longer and tougher and then gets renamed as a ‘dry’.

Set just in the future – when our communities face on-going water scarcity, Water Wars charts the bumpy road of neighbourliness as tempers fray and niggles turn into frank discussions, that turn into skirmishes, that grow into outright war.  But in the middle of all this is a young boy, Cal, and his dog, Freddo.  Cal will have to live with the consequences of the adults’ actions in this water-starved world.

The professional creative team includes Director Shaun Charles, Designer Greg Clarke and actors Chris Betts and Jess Veurman-Betts.

Empire Theatres and Umber Productions are teaming up to develop this work over two weekends – 11 and 12 September and 9 and 10 October 2010.

Positions are open to applicants on a contract basis.

Expressions of interest including a current resume and details of previous relevant experience should be marked “Confidential” and forwarded to:

Ann-Marie Ryan
General Manager
Empire Theatres Pty Ltd
PO Box 1227
Toowoomba Qld 4350

Expressions of interest are due by 5pm Friday 13 August 2010.

Further inquiries for the position should be directed to: Ann-Marie Ryan on email: ann-marie@empiretheatre.com.au

Review: King Lear – Bell Shakespeare, Queensland Theatre Company & QPAC at QPAC

As I walk into the Playhouse Theatre for King Lear’s Brisbane opening night, I must admit I’m a little cautious.  A successful play that runs over three hours is an enigma.  If any play can do it, however, it’s King Lear, one of my favourite Shakespeare plays.  Perhaps I still had Queensland Theatre Company’s other recent production of Waiting for Godot in my mind, but I’m reminded that King Lear is the closest to existentialism that Shakespeare gets.  It’s a play where ‘nothing’ is a central theme, and where the protagonist deals with his own mortality with a tragic descent into madness.  The play is violent, heart-wrenching and devastating.  At least it’s supposed to be.  I’m afraid to say this latest production with John Bell in the lead doesn’t quite hit the mark. Continue reading “Review: King Lear – Bell Shakespeare, Queensland Theatre Company & QPAC at QPAC”

Review: Stockholm ‘The poetics of cruelty’ – La Boite Theatre

If this play were a comedy, you might be tempted to toss in a phrase like ‘sex in the kitchen’ for impact. Stockholm, however, is most definitely not a comedy, and whilst there’s sex-play aplenty in the kitchen in the STC production currently playing at La Boite Theatre, this reviewer left the auditorium on opening night feeling, well … gutted … a not inappropriate reaction given the play’s content and a set wall which features some wicked looking knives. This forensic dissection of a relationship from Brit writer Bryony Lavery works through the senses and probes the mind; it’s a powerfully realised 70 minutes of vital performance that could happen nowhere else but on stage.

Sometimes you see a work that triumphantly displays its theatricality; Stockholm is one of them.

The play’s title gives a clue to the thread running through the work, a syndrome that encompasses the love-hate relationship between captor and the captured, the powerful and the powerless, the torturer and the tortured. Todd and Kali (incidentally, the Hindu goddess of death, and wife of Shiva) reminded me a lot of another warring, dramatic couple – George and Martha, albeit in the kitchen with knives rather than in the living room with booze where Albee sets Who’s Afraid of Virginia Woolf? It’s the same, drawn out dance of death, both couples locked in an embrace designed to hurt and to go on repeating itself ad nauseum. Indeed, those knives on the wall can also call up an impression of an abattoir; you just know there’s going to be blood on the floor before the night is out. Stockholm also creates a good-looking, middle class world for its well-heeled characters to inhabit – that designer kitchen and smart chat are just veneer on a surface. Finally, there is a palpable feeling of isolation in this self-absorbed world, one that excludes all but the protagonists.
Continue reading “Review: Stockholm ‘The poetics of cruelty’ – La Boite Theatre”

This Week in Queensland Theatre: April 12-18

For showtimes and further details check company sites

Opening:

Handle With Care by Megan Shorey Dir Lewis Jones for Joymas Creative at JWCoCA

Let the Sunshine by David Williamson Dir Michael Gow at Cremorne Theatre, QPAC

Continuing:

Single Admissions by Tammy Weller Dir Daniel Evans at Sue Benner Theatre, !MetroArts

Blackbird by David Harrower Dir Mark Conaghan for La Boite Indie at Roundhouse Theatre