Auf wiedersehen Sitzprobe

And with 10 days to go it’s sounding and feeling good! Tonight’s sitzprobe finished up the play. So we’ve been through all of the songs, interludes and dance numbers with the orchestra. It was not as daunting as I had expected; thrilling, yes! One or two intervals … picking your note from a great concatenation of musical sound is not that easy! However I have faith in our musical director who is on top of the whole thing and calm, calm, calm. How I love working with people like this. And I (have to) trust the work that’s been done.

Cabaret company Sitzprobe

The next time we all meet will be in situ … them in the pit and us on stage along with the stage-band. This isn’t going to be until the weekend, so here comes another break just as we’re entering the home-stretch. Back to the Clayton’s rehearsals for the next few days … reading the play every day, listening to the practice music, going through the scenes in my head.

Tomorrow it’s a program photo-call, so into costume and makeup … the body-masking begins.

Production Week: Run #4 and Sitzprobe

photo credit: fr1zz

It’s 11 days till opening and 10am on Sunday morning. Other people are out there having the requisite leisurely brunch and reading the papers at any one of the many coffee shops in the city. We’re in the rehearsal studio warming up bodies to Kylie Minogue dance music. It’s then over to the keyboard to warm up voices with the music director. It’s time for Run #4. The stage is still off-limits as the crew continues to bump in the set. Continue reading “Production Week: Run #4 and Sitzprobe”

Week 10: Production Week Begins

Lighting Rig in Empire Theatre

This is a post taken from my personal blog Groundling. I kept an acting casebook during a production of Cabaret for the Empire Theatre in 2008.

Gird the loins for production week. Here we go. Day 1 for the acting company in the rehearsal studio, and it’s another run. This is what I want and need right now. I’ve written before here about losing momentum in an extended rehearsal period, and we’ve arrived at the time to get the arc of the story right and to polish. Continue reading “Week 10: Production Week Begins”

Three Sisters

I got to thinking during the drive home last night that there’s an awful lot of drama about three women, often sisters … not sure why three rather than two or four. Now these couplings are inevitably memorable. A few that spring to mind include the (in)famous sisters Lear (Regan, Goneril and the goody-goody Cordelia), and Chekhov’s Masha, Olga, and Irina. Australian drama has produced Hannie Rayson’s Falling From Grace, Stephen Sewell‘s The Garden of Granddaughters, and Hotel Sorrento by Hannie Rayson. The American theatre has given usThe Sisters Rosensweig from Wendy Wasserstein (one of my favourite writers), Three Tall Women by Edward Albee and another from the modern American theatre, Neil Simon’s wonderful triple treat from The Prisoner of Second Avenue: Pearl, Jessie, and Pauline.

Continue reading “Three Sisters”

When the creative juices dry up …


photo credit: gl0ri

And they do! This morning a few little tips to unblock the dries came in an e-letter that I subscribe to. It was addressing photography specifically, but hey … creativity is creativity. Tip # 5 resonated for me. It’s one of my own tactics when prepping for a show. Music especially seems to help.

Surround yourself with creativity – pump up the volume on your stereo or iPod, rent that old Alfred Hitchcock flick or play a little music to get into that creative space.

I’d add look at pictures, read some poetry.