Ready for some tweet-reviews?

Talk about leading the pack! Greenroom wrote about this last November. We thought we’d strut our stuff and republish our comments from back then as La Boite Theatre encourages its audiences to tweet their reviews of I Love You Bro’ opening this week at the Roundhouse. No tweeting during the show now, unless of course you sit in the back row and get permission first, as @h_suarez did for King Lear at QPAC recently. Hannah Suarez, incidentally, is the social networking savvy marketing director for The Brisbane Festival.
There’s been some swift (rather than considered) responses from the social networking crowd in the last 24 hours or so about whether or not tweeting during a show should be ‘allowed.’  This was sparked by queries from La Boite and Bell Shakespeare in Twitter and on Facebook. We smell marketing departments at work! 
In response, the FB crowd have said ‘No way,’ and, hardly surprisingly, the Twitter crew were more open-minded.  Always good to challenge received practice and the status quo in the arts though, isn’t it?
We can’t wait to see which theatre here will be the first either to allocate back rows or declare an ‘open-twitter’ performance for those who wish to tweet and carry on the conversation during a show – without disturbing the performers or rest of the audience of course. A passing phase maybe? Who would dare to predict …

29 November, 2009
Eurobeat: almost Eurovision opens at QPAC’s Lyric Theatre this week for a season through December 5.  QPAC is hosting a gathering before the opening performance on Wednesday.  They’re calling it Eurotweet and have invited a flock of ‘Twitterati’ who will get to tweet their thoughts before, during, and after what we hear is a very funny show – ‘don’t wear mascara to Eurobeat’ says their website.   The audience will also be using their mobile phones to vote the winners.  Could this be a first for Brisbane theatre?  Might it be a last?  Somehow, we think not … a monster has been unleased. Continue reading “Ready for some tweet-reviews?”

This Week in Queensland Theatre: 12-18 July

For more details check company websites

Opening:
Advanced Screening by Markwell Presents at Visy Theatre, Brisbane Powerhouse, Wednesday.
I Love You Bro’ by  Adam J Cass Dir David Berthold for La Boite Theatre at the Roundhouse, Friday.  PS They are calling for tweet reviews of the show. You’ll need to follow them @LaBoiteTheatre first!

Continuing:
Tender by Nikki Bloom Dir Andrea Moor for !Metro Arts Independents 2010 at !Metro Arts
The Clean House by Sarah Ruhl Dir Kate Cherry Queensland Theatre Company, Cremorne Theatre, QPAC

Other:
Circa’s Term 3 Circus Training for adults and children commences on Monday 12.  Details on their Facebook page

Leon Cain’s daily videocasts of his rehearsals for the upcoming I Love You Bro’ are worth a look. Check them out on La Boite’s You Tube channel

This Week in Queensland theatre: July 5-11

For more details check company websites

It’s a quieter week – maybe because it’s School holiday time.  If you haven’t gone away don’t miss Tender and The Clean House.
School holidays also mean workshops.  Check out what’s happening with the Shake and Stir crowd and at La Boite Theatre. Click their logos over there on the right.

Continuing:

Tashi created for children 4-10 and their families adapted from Anna Fienberg’s Tashi series. Visy Theatre, Brisbane Powerhouse, Tues – Friday 9:30 and 12:30, Saturday 11:30

Tender by Nikki Bloom Dir Andrea Moor for !Metro Arts Independents 2010 at !Metro Arts

The Clean House by Sarah Ruhl Dir Kate Cherry Queensland Theatre Company, Cremorne Theatre, QPAC

Other:

Leon Cain’s daily videocasts of his rehearsals for the upcoming I Love You Bro’ are worth a look.  Check them out on La Boite’s You Tube channel

Clearly and simply: Andrea Moor actor, director, teacher (Interview 7)

Andrea Moor has been back in Brisbane for some years now, and she’s loving it – feeling privileged in fact.

‘The political landscape has changed so much since I was last here.  It’s a lot like Sydney felt in the early 80s – it’s such a supportive community.

The standard of acting in Brisbane is incredibly high, as good as any in the world, probably because local actors have been working constantly here and so practising their craft.

The standard of acting in Brisbane is incredibly high, as good as any in the world, probably because local actors have been working constantly here and so practising their craft.’

As an example she segues into last year’s production by Queensland Theatre Company of Arthur Miller‘s The Crucible directed by Michael Gow for which, incidentally, she won a Matilda for her portrayal of Elizabeth Proctor. ‘The big  … Crucible acting company (19) was composed of several generations, Queensland actors many of whom had gone away and come back.  It was such a harmonious and good feeling during that period, a microcosm of the theatre industry here.’  She goes on to note, ‘There’s a different focus here in Brisbane, not the preciousness and egos of those constantly being watched.  Here actors are genuinely happy to see colleagues get work, and on opening nights, it’s about the show.  Elsewhere,’ she says, ‘it’s about me – who’s out front to help me get my next job.  It’s liberating here … mind you,’ she adds drily, ‘ it’s not to say we wouldn’t like this.’ Continue reading “Clearly and simply: Andrea Moor actor, director, teacher (Interview 7)”

I Love You Bro’: La Boite Theatre Company at the Roundhouse

I Love you, Bro’ by Adam J A Cass
Directed by David Berthold

Prepare to be plunged headlong into a vortex of online love.
David Berthold directs this explosive new production, which comes to La Boite for a strictly limited three-week season from 22 July.  Based on extraordinary real events, this stunning work delves into the mind of Johnny, a teenage chat room junkie. A modern boy, remarkably clever and longing for connection, he spins a web of deceit that destroys two lives – all for the glory of love.
Following the success of Hamlet with young audiences earlier this year, David returns to direct brilliant young talent Leon Cain, Sydney Theatre Award’s Best Newcomer, in this heart-stopping production. Nominated for a Greenroom Award for Best Australian Writing, this inspired Australian play is driven by an urgent vernacular that will deliver an electrifying night in the theatre.  This is the true story of a boy who conspired to murder himself.

Venue | Roundhouse Theatre, Musk Ave, Kelvin Grove Urban Village
Show Times | Tues & Wed 6.30pm, Thurs-Sat 7.30pm, Sun 5pm
Previews |17, 18, 20 & 21 July
Opening Night | 22 July
Season | 22 July – 8 Aug
After Show Discussion Night | Friday 30 July
Prices | From $25, Student Rush Tix $15
Bookings | www.laboite.com.au or (07) 3007 8600

Writer | Adam J A Cass               Director | David Berthold
Designer | Renee Mulder
Lighting Designer | Carolyn Emerson
Sound Designer | Guy Webster
Visual Design | Jaxzyn
Assistant Director | Michelle Miall
With | Leon Cain