Circus: a double bill – The Brink at JWCoCA

The Brink presents a double bill of circus at the Judith Wright Centre of Contemporary Arts featuring the World Premiere of Natano Faanana’s new work, Baggage Carousel followed by Jess Love’s And The Little One Said.

Ever wondered what it’s like to grow up in the world of circus? Natano Faanana’s comically endearing new work Baggage Carousel takes the audience on a journey of discovery; following three teenage Brisbane circus stars as they share their personal stories on stage.

Growing up as a teenager has its ups and downs. But growing up as a teenage circus performer has its ups, downs, twists and half turns. What happens when the little cutesy star of a show turns into a teenager? When did the lanky, uncoordinated, nervous boy become a man? Why does the teenage girl who turned heads because of her height and talent now turn heads for other reasons?

In his directorial debut, circus legend Natano Faanana (Briefs) explores the inevitable shift from child star to their next incarnation. Three of Brisbane’s brightest young circus artists, T’La Morrow, Rhett Morrow and Abbey Church, recount their slightly charming but mostly awkward and confronting transitional years into adulthood.

Baggage Carousel is an energetic, engaging and truly intimate performance.

The second show within this double bill is the award-winning sell-out premiere season of And The Little One Said. Don’t miss Jess Love of The Candy Butchers and her “hilarious” but “death defying” and “charming” solo show.

Through dark clowning, dirty acrobatics and surreal sideshow feats including roller- skating and a hula-hoop this brilliantly skilful, quirky comedienne creates carefully crafted circus through clever storytelling, awe-inspiring imagery and a healthy dose of slapstick.

Written and performed by Jess Love (Circus Oz, Circa) and directed by Stephen Burton, And The Little One Said combines high-level circus skills with pathos, humour and beauty to create a performance that is touching, enchanting and playful.

The Brink is a celebration of Australia’s newest and most exciting circus companies.

 

Jason Klarwein (Interview 15)

The last time I sat down with Jason Klarwein to talk about theatre was 10 years ago, shortly after I had been appointed to the Board at Queensland Theatre Company. At that time Jason was in the first intake of the Company’s Emerging Artists program. I followed all of the artists over the course of the year and touched base with them from time to time about the experience. I had hours of  audio interviews which I subsequently had transcribed and filed away for an article which has yet to be written. (Note to self: do something about this).

There’s an old saying that goes if you’re still in theatre 10 years after you begin that you’re there for life. If it is true, then Jason – actor and now Artistic Director of Queensland’s iconic Grin and Tonic Theatre Troupe – has passed the point of no return. He laughs when I point this out. With his first professional job for Disabled Arts The Glass Cage in 1996, he agrees that he is definitely well beyond the 10 year turning point. He joins what is becoming something of a league of newly-appointed artistic directors around Australia, many of whom cite ‘actor’ or ‘designer’ or ‘producer’ before ‘director’ as their theatre ‘speciality.’

I wanted to talk with Jason about what he’s been doing in the years since we last spoke in depth and, of course, about Grin and Tonic and his vision for its future. He’s already got a 5 Year Plan under way, and I managed to winkle out some of the ideas informing the first year at least. We spent a good 45 minutes or so having a mutually enjoyable rant about theatre things. There’s a lot to talk about. As to what he’s been doing in the interim, Jason lists five career highlights. Continue reading “Jason Klarwein (Interview 15)”

The Ugly One: 23rd Productions at !Metro Arts

The Ugly One

by Marius von Mayenberg
Translation by Maja Zade

Greenroom’s Review (13 April, 2011)

From the acclaimed team that brought you the multi-award winning The Pillowman, 23rd Productions presents the Brisbane theatre debut of The Ugly One.

The Ugly One is an audacious, witty and as sharp as a surgeon’s knife look at … well, our obsession with how we look. Lette has invented something revolutionary but discovers he is just too damn ugly to promote it. His wife admits he’s so ugly she can only look at him in his left eye. Enter a surgeon with a God complex and a talent for facial transformations and, for a while, Lette finally gets a life beyond his wildest dreams. Until everyone else changes their face to look like him …

Written by Marius von Mayenburg, translated by Maja Zade
Directed by Kat Henry
Executive Producer Kathryn Fray
Producer Christopher Sommers
Production Manager Dirk Hoult

Featuring Norman Doyle, Kathryn Fray, Dirk Hoult and Kevin Spink
Stage Design by Jessica Ross
Lighting Design by Hamish Clift
Sound Composition by Jeremy Neideck
Stage Managers Justin Boas and Charleen Masters

Season: Wednesday 6 to Saturday 23 April, 2011
Preview: Tuesday 5 April, 7:30pm
Opening: Wednesday 6 April, 7:30pm
Artist Talk: Wednesday 13 April – join the actors and crew for a drink and post show chat.

When: Tuesday to Thursday, 7:30pm
Friday to Saturday, 7pm and 9pm
Where: Metro Arts Galleries
Tickets: Adults $25/ Conc. $22/ Preview $15/ Group (10+) $15
Cheap Tuesdays: $15 (door sales only)

Bookings: (07) 3002 7100 or www.metroarts.com.au