Criticism must talk the language of artists.
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Actors and Acting

Letters from a voluntary exile: The Bellman’s Map

by Nick Backstrom 30 August 2011
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I have just spent the last two weekends exploring using the Bellman’s Map. The Bellman’s Map is from Lewis Carroll’s The Hunting of the Snark, where the Bellman, the captain of the group, presents them with a map that is “A perfect and absolute blank!” which his crew is delighted with, as it’s one they [...]

Review: Rabbit – The Good Room at !Metro Arts Theatre

by Kate Foy 17 July 2011
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Bella is entering her 30th year – a dangerous age we used to be told. For the members of Gen-Y (look it up) portrayed in British writer Nina Raine‘s realistic comedy of manners Rabbit (2006), Time’s wingéd chariot is rumbling along all too loudly on the bumpy road. It’s time to take stock, socialise the hell out of the [...]

Anthea Patrick (Interview 24)

by Editor 11 July 2011
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Anthea Patrick has taken some time off from a busy rehearsal week to chat about her current project, Andrew Bovell‘s Speaking In Tongues which opens soon for Antix as part of the Metro Arts Allies program. We start with the background stuff – Anthea is Brisbane-born, bred and educated, though new to the Brisbane indie scene [...]

Review: Orphans – Queensland Theatre Company (Studio) @ Bille Brown Studio

by Kate Foy 30 June 2011
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It’s a cool and drizzly Brisbane winter night, the wind is blowing off the river and I’ve scooted back in quick time from my current-neighbourhood playhouse – the Bille Brown Studio at 78 Montague Road. I’ve been disturbed rather more than I would have thought possible by Dennis Kelly’s Orphans, a play out of contemporary [...]

Review: Gaijin at QUT Gardens Theatre

by Kate Foy 23 June 2011

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Gaijin, currently playing in a very short (3 day) season is the brainchild and production of Director/Designer Ben Knapton and Rock and Roll Musical/Stand-Up Performer/Sound Designer Dave Eastgate.
The play is essentially a series of snapshot episodes played out by various characters involved in the story of a young Australian gaijin (foreigner), Chris Thompson, [...]

Review: Water Falling Down – Queensland Theatre Company

by Kate Foy 8 April 2011

The time has come to declare the ubiquitous ’75-110 minute full-length play-without-an-interval’ as the norm on local stages. The hefty play from not all that long ago – the ones with an interval and sometimes even two – seem to have gone. The really old ones – the classics – are more likely to make [...]