When I was in year seven, I went to the Brisbane Writers Festival to meet John Marsden. I had never heard of a writers’ festival before, but I was instantly bewitched. It was its own perfect type of theatre. The bounds between audience and artist are a pre-packaged intimacy, having already spent hours together alone, with the writer whispering to the reader in their own private tongue. It’s a special, introverted community, a sanctuary for intellectualism and ideas.
As you may be able to tell, I was rather taken with it all.
Many years on, I’m working behind the scenes, as BWF’s Associate Producer. This means I’m part of the programming team, producing hundreds of events that happen in the hot spot (the 4th to the 8th of September), and all year round.
I’m one of dozens of cultural artists who are in a gap. My background is in playwrighting. I’ve grown up from ‘emerging’ and am some way from ‘full-time established’ and am in the ‘weird in-betweeny bit’ (some industry jargon for you there). Many artists venture into a programming or cultural producer role during this time. It’s rich with its own rewards. Continue reading Asides: On Writers and Writing and Sanctuaries for Ideas