Kat Henry (Interview 16)

Photo: Kat Henry

Much of the talk in town and on the interwebs right now concerns gender equity in the theatre. Women playwrights and directors and actors continue to battle what many are calling, perhaps intemperately – but who can blame them – ‘the boys’ club.’ It’s not just here either; American and British women have their dander up as well.

When a woman succeeds in securing a paid job as a director or actor, or when she wins an award for playwrighting, then it’s cause for celebration. So it was last week when expatriate Brisbane writer (she now lives in Melbourne) Shannon Murdoch won the prestigious Yale Drama Series award for her play New Light Shine. As they used to say before digital technologies arrived to spread news in a flash, ‘the wires hummed’ with the news. Shannon was congratulated, contacted, and readings were being set up just-like-that. Hoorah! I’m told New Light Shine was one of the ‘must see’ works at this year’s National Play Festival. I wonder if it has been secured for an Australian production yet and, if so, who will direct? Whatever the answers, it’s a thrill to see Shannon Murdoch’s work being recognised in this way.

There are two women directors currently at work in Brisbane on productions: Andrea Moor on Water Falling Down for Queensland Theatre Company, and Kat Henry on The Ugly One by Marius von Mayenburg for the independent company 23rd Productions.  Greenroom interviewed Andrea last year when she was working on Tender Рyou can read the review here. I was delighted to meet Kat Henry a week or so ago at the theatre and to get her to agree to an interview. Continue reading Kat Henry (Interview 16)