Image: Kathryn Marquet and Julian Curtis | Photography: Dylan Evans
We believe in theatre not just plays. (La Boite: About Us – programme THE GLASS MENAGERIE)
So it comes as no surprise that David Berthold‘s production of Tennessee Williams‘ classic play THE GLASS MENAGERIE (1944) is nothing if not theatrical. Perhaps only radio drama can do it better than the stage – you know, the old line about the pictures in radio being better – but this production takes Williams’ poetic play about memory, loss, and especially illusion and recontextualises it beautifully to give us a boldly fresh take on an old classic. Continue reading Review: The Glass Menagerie – La Boite Theatre Company at The Roundhouse
I’ve known Sven Swenson and admired his work since 1996, the year his first play Vertigo and the Virginia workshopped for Queensland Theatre Company. Since then Sven’s completed 15 plays, but he notes there are 33 others “in various stages of disrepair.” His latest work, The Bitterling premieres next week as the opening production of the inaugural La Boite Indie program; ‘opening’ and ‘inaugural’ – a lot of firsts, and a lot of expectations. He’s writer and director.
He tells me, “We know we are the indie guinea-pigs, we’re all keenly aware of this. There is constant dialogue between the participants and La Boite, who are extremely supportive and available. They have a genuine and profound desire to see good indie theatre develop.” He goes on, “There’s a real air of excitement right now, and it’s helping us to create at our best.”
I’m glad to catch up with Sven, one of Brisbane’s most prolific and also proudly parochial writers. I want to know more about the inaugural winner (2002) for Road to the She Devil’s Salon and then finalist (2008) of the prestigious Queensland Premier’s Drama Award. His play Beautiful Souls was produced Off-Broadway (2007) and also in Los Angeles. Among other things we talk about beginnings, influences, how he works, and the local theatre scene. He has a few surprises for me along the way. Continue reading Conversation with the audience: Sven Swenson (Interview 4)