I’ve come late to 1984; it’s well into the second week of a season that was sold out two weeks before opening. Most of the reviews are in and they are unusually fulsome in their praise for a local production. I’m certainly not going to be different in that regard.
1984 is a cracker of a production – intelligent and theatrically clever as are all of Michael Futcher’s creations as stage director.
Orwell’s horror story of a society diseased by totalitarianism (of either the left or right variety) has been adapted for this production by two of Shake and Stir’s Artistic Directorate: Nelle Lee and Nick Skubij. Both Ms Lee and Mr Skubij are part of the first-rate onstage cast of five which also includes Ross Balbuziente, Hugh Parker and Bryan Probets, who is truly excellent as the hapless and doomed Winston Smith. His skull-like image and haunted eyes are projected large on the huge screen that backs and enlarges the stage action. It complements that of Big Brother and, for those who know the novel, is used in a device at play’s conclusion that perfectly captures the tragedy of Orwell’s novel. The production also features screen and audio appearances from Alexander Butt, Veronica Neave, Naomi Price, Matthew Welsh and Walt Webster. Continue reading Review: 1984 – Shake and Stir at QPAC Cremorne Theatre
This is a big, elemental production. It is austere and physical, stripped back to the essentials. There is no blood, little adornment, no shoes even. The focus is on the actor’s body – its material and vocal expressiveness in service of the text. In so many ways it reminded me of Poor Theatre’s stripping back to the fundamentals of performance in, as Grotowski attempted to describe it, a ‘… discarding of masks, the revealing of the real substance: a totality of physical and mental reactions.’
Director Jennifer Flowers has produced a Romeo and Juliet that will appeal to those who like their Shakespeare and their acting unvarnished and quick. Certainly, this production is all of that. Playing time is under 2 and a half hours with no interval.
The cast of twelve (8 men and 4 women) inhabit a world that is indeterminate; their unadorned costumes are of another time and place although in setting – elemental stone and water – designer Bill Haycock (with lighting by David Walters) has beautifully referenced the coldness of a classical citadel rather than the usual richness and warmth of Verona’s Renaissance city. It fits the rest of the production and provides a new viewing of a play whose story is so well known in our culture that even those who have never experienced it on page, stage or screen feel that they ‘know’ it. Ms Flowers’ production is a bold revisioning, and one that may take people by surprise. That’s no bad thing at all. Continue reading Review: Romeo and Juliet – Queensland Theatre Company at Playhouse QPAC