Photo credit: Dylan Evans
We’ve written before about the work produced by the people involved with shake & stir theatre company, surely one of the most impressive and successful arts companies currently in operation in Queensland and, indeed, around Australia. (Type ‘shake and stir’ into the Search box to see what we’ve had to say over the years.)
Like many, I suspect, I had assumed we’d see the company’s signature physical story-telling at work on the Pulitzer Prize winning novel To Kill a Mockingbird (1960) by Harper Lee in much the same way they’d crafted George Orwell’s Animal Farm and 1984, although the poster image of a very sultry Nelle Lee had me puzzled. Tequila Mockingbird breaks some exciting new ground for shake & stir who have labelled this work, ‘a new Australian play created by shake & stir theatre co,’ and that it certainly is folks. Continue reading Review: Tequila Mockingbird – shake & stir theatre company and QPAC at Cremorne Theatre, QPAC
Nick Skubij is one of the artistic triumvirate that heads up the enormously successful shake and stir theatre company. Their name may be minimalist lower case but there’s nothing small-scale any more about this company that has been in business since only 2006. Its operations are compact – they work from a small office in Brisbane’s Fortitude Valley and call no theatre space their own – but they’ve made a huge impact with the quality of their work, and the scale of reach throughout the state and now national touring circuit with their in-school work and their inventive, award-winning productions of classics.
I caught up with Nick via Skype – they’re in Maryborough tonight – as they approach the final leg of their current national tour of the George Orwell classic, Animal Farm. In 2011 they took Statespeare beyond the state for the first time. Nick has adapted Animal Farm for the stage – it premiered in Brisbane in mid-2011. Michael Futcher has again directed the play which has seen the addition of a new cast member, Tim Dashwood. Next year they’re planning to show the rest of the country their other Orwell – 1984. Funding by Playing Australia (the only funding they’ve ever received) for three national and state-wide tours in three years is not a bad strike rate at all. “We like being commercially independent,” Nick tells me. Continue reading Nick Skubij (Interview 36)