Talk about leading the pack! Greenroom wrote about this last November. We thought we’d strut our stuff and republish our comments from back then as La Boite Theatre encourages its audiences to tweet their reviews of I Love You Bro’ opening this week at the Roundhouse. No tweeting during the show now, unless of course you sit in the back row and get permission first, as @h_suarez did for King Lear at QPAC recently. Hannah Suarez, incidentally, is the social networking savvy marketing director for The Brisbane Festival.
There’s been some swift (rather than considered) responses from the social networking crowd in the last 24 hours or so about whether or not tweeting during a show should be ‘allowed.’ This was sparked by queries from La Boite and Bell Shakespeare in Twitter and on Facebook. We smell marketing departments at work!
In response, the FB crowd have said ‘No way,’ and, hardly surprisingly, the Twitter crew were more open-minded. Always good to challenge received practice and the status quo in the arts though, isn’t it?
We can’t wait to see which theatre here will be the first either to allocate back rows or declare an ‘open-twitter’ performance for those who wish to tweet and carry on the conversation during a show – without disturbing the performers or rest of the audience of course. A passing phase maybe? Who would dare to predict …
29 November, 2009
Eurobeat: almost Eurovision opens at QPAC’s Lyric Theatre this week for a season through December 5. QPAC is hosting a gathering before the opening performance on Wednesday. They’re calling it Eurotweet and have invited a flock of ‘Twitterati’ who will get to tweet their thoughts before, during, and after what we hear is a very funny show – ‘don’t wear mascara to Eurobeat’ says their website. The audience will also be using their mobile phones to vote the winners. Could this be a first for Brisbane theatre? Might it be a last? Somehow, we think not … a monster has been unleased. Continue reading Ready for some tweet-reviews?
Brisbane has the right to a healthy layer of DIY theatre – partially supported and encouraged, venue or company based – in professional, independent companies that evolve. People need to be empowered to work outside the prevalent bureaucratic funding model. My passion is theatre where performers do their thing – performers in an empty room – not big sets and costume stuff. Then the audience brings its own life, energy and imagination to it; that’s the kind of theatre I love – that’s fringe.
I spoke a little while back with Flloyd Kennedy actor, blogger, voice-coach, theatre-maker and enthusiast. She’s so committed to the importance of theatre-making that she (initially) single-handedly organised the inaugural one-day Bits Festival of fringe theatre held in Brisbane last November. I was intrigued by the concept and keen to talk with Flloyd about what brought her to do such an extraordinary thing – creating a fringe festival event from scratch is hardly for the faint of heart, but then that’s not a label that would stick long to Flloyd.
… there is still not the opportunity here for audiences to experience new ideas or for rough, raw, experimental work to get a first showing. There’s still a missing layer.. Continue reading Flloyd Kennedy (Interview 3)
This post was contributed by Xanthe Coward, a COE09 conference delegate. Many thanks also to Xanthe for her live-tweeting during the sessions. You can catchup with all the hashtagged contributions to the Twitter stream by searching for #coe09
Why are doing a theatre conference? Why are you doing theatre? Do you want to be in Cats or something?!
Last weekend Brisbane’s !Metro Arts played host to 100 independent theatre practitioners, including professional and emerging playwrights, performers, directors, producers and promoters from all over Australia. In what turned out to be a particularly conversational 3 day program !Metro Arts, in cooperation with Jute and Playlab, set about challenging the definition of what it is to be an artist in the independent theatre sector in Australia, and asked, “How will it – and you – survive?” The question in the block-quote above was put to one of the delegates by a friend, and it seems to sum up the attitude of many of the broader population who aren’t aware of theatre – apart from the blockbuster musical – or who don’t really understand how and where else this thing called theatre gets made. Last weekend, however, pedestrians on Brisbane city’s Edward Street, as well as visitors to New Farm’s Powerhouse might have noticed that theatre is something that attracts an extremely eclectic crowd. Continue reading Theatre conference? You want to be in Cats or something?
This is Greenroom, a one-stop aggregator, index or directory for Queensland professional and independent theatre. Like a greenroom, it is also a place to share opinion and news.
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