Review: 1984 – shake & stir theatre company at QPAC Playhouse

Images: Dylan Evans

It’s tempting to discuss the plethora of socio-cultural themes and talking points that always seem to emerge whenever George Orwell’s, 1984 is rediscovered. However, and in the spirit of sparing our Greenroom readers an exhaustive and exhausting deconstruction of the source material, I want to focus more specifically on shake & stir’s interpretation, appropriation and ultimately adaptation of the classic novel first published in 1948. Continue reading “Review: 1984 – shake & stir theatre company at QPAC Playhouse”

The DokBoki Box – The New Wave Festival at Metro Arts

Hero_image_DokbokiCreating new theatre pieces can be a risky business. The enterprise can fail so badly that it leaves the impression the work was unworthy of the time and energy spent. Many a risk-taking sours in this way. Yet we know that taking risks is critical to the creation an developments of all new theatre. Whilst, arguably, the experience for the makers is a valuable one, occasionally a risk invested returns big as its reward. Creatively risky yet brilliant conceptual gems are discovered and eventually become both critical and commercial success stories. The Next Wave Festival’s The DokBoki Box, created by Park Younghee, M’ck McKeague and Nathan Stoneham is a quintessential example of how and why we need to continually innovate. Continue reading “The DokBoki Box – The New Wave Festival at Metro Arts”

Review: Cock – La Boite Theatre Company and MTC at the Roundhouse

Images; Sean Dowling

The American novelist Stephen King once described the best stories as those that focus on either almost everyone in an entire community or those that focus on just a few critical characters. Cock is definitely in the latter category. Directed by Leticia Cáceres, this touring production of Mike Bartlett‘s sharp and witty play takes the most fundamental concepts of a love triangle and turns them on their heads. I absolutely loved the production. With innovative direction, stellar acting and inspired writing, Cock is a fine example of modern theatrical story-telling. Continue reading “Review: Cock – La Boite Theatre Company and MTC at the Roundhouse”

Review: Goodbye Miss Monroe – danceAtlas at Metro Arts

Image: Liam de Burca – Matt Young and Anna Burgess

In art and in life there are truths and there are ‘truths’. The former is a universal concept of pure objective fact – acceptable or otherwise -to all who cross its path. The latter is a more personal, subtle idea influenced by our individual subjective life experiences. Through Good-bye Miss Monroe, playwright Liam de Burca thoroughly examines both of these definitions of truth through the lens of American dance director, Jack Cole. Continue reading “Review: Goodbye Miss Monroe – danceAtlas at Metro Arts”