Review: The Chairs – La Boite Theatre

You could infer that the show must truly be something if it’s memorable weeks later in this age of disposable entertainment. You could infer that I have avoided writing this for as long as I could. You could infer a lot of things. Fact is I was asked to write this because I had seen the show and Greenroom was having difficulty finding time to attend La Boite’s latest production of The Chairs by Eugene Ionesco. So what does that mean?

Firstly, it means I hadn’t intended to put my thoughts forward so they have become fractious and disordered in my head in the weeks since I saw the show. Secondly, it means I am looking at the work with the benefit of hindsight and the handicap of its being most of a month ago. There is much to be said for the school of thought that there are two worlds, things as they are and our ideal versions of them. Finally, it means that I have had quite a few discussions with people about their experiences of the work.  As such, I have had to try and find my way back to what I saw and how I felt about it.

I’ll try now.

When it was announced that Brian Lucas would be directing Eugene Gilfedder and Jennifer Flowers in Martin Crimp’s translation of Ionesco’s The Chairs my ears pricked up; there is a lot to like about that sentence. Brian Lucas’ work as a performer, choreographer and dancer is sublime and singular: an idiosyncratic and brilliant mind coupled with a masterful sense of physical performance. Eugene Gilfedder has, in recent years enjoyed a thoroughly deserved resurgence in his work, best described as brilliant and idiosyncratic, and intense. Jennifer Flowers has been a presence in Australian Theatre for decades, recently as tour director on The Year of Magical Thinking and notably in her Helpmann Award nominated turn in Doubt. Martin Crimp is a fine writer – his Attempts On Her Life is a truly great play, and Ionesco is responsible for some of the most memorable plays of the Absurdist movement. So from the outset there was a lot of excitement and anticipation.

Actually, it wasn’t just me, everyone I spoke to beforehand was the same. Maybe that’s why I have waited to write this, taking time to remove the play I wanted from the play I got – there is nothing worse than a review that spends its time talking about what should have been done.

So here’s what I saw. Continue reading Review: The Chairs – La Boite Theatre

WTF! It’s another theatre festival!!

GUEST POST: Lucas Stibbard makes theatre, sometimes as an actor, sometimes as a director/facilitator, sometimes as a teacher and, memorably, once as a stage-manager. He has done so for himself as well as for companies such as Bell Shakespeare, Queensland Theatre Company, State Theatre Company of South Australia, La Boite, Metro Arts, DeBase Productions, Hothouse Theatre, Kite, Queensland University of Technology, the Aboriginal Center for the Performing Arts, the Queensland Arts Council and Windmill Theatre Company. Lucas is one-quarter of the Escapists whose shows include Attack of the Attacking Attackers!, boy girl wall, and the in-development Revenge of the Revenging Revengers!. Lucas studied at USQ. For context, some of his favourite shows have been – Gatz (Elevator Repair Service), Anna Karenina (Shared Experience), C-90 (Daniel Kitson), Roadkill (Splintergroup) and 11&12 (Theatre des Bouffes du Nord) – so if you didn’t enjoy those you probably shouldn’t trust his (highly subjective) reviews. He is partial to cardigans, gin and his wife.  Follow him on Twitter @LucasStibbard

WORLD THEATRE FESTIVAL at Brisbane’s The Powerhouse

Is there anything the Powerhouse doesn’t want to take a crack at? Comedy Festival? Check. Queer Film Festival? Check. Jazz Festival? Check. Cabaret Festival? Well they did put on something that looked suspiciously like one when the real Cabaret fest moved … anyway point is, adding to the litany of cultural extravaganzas offered by the Brisbane Powerhouse we have the World Theatre Festival, or WTF if you want to look edgy and impress the kids (it’s almost swearing ooooohhhh!).

Starting last week and continuing its programming till Sunday, the Powerhouse is playing host to a number of exciting acts from around the country (ok here and Melbourne) and around the world (well, the UK).  So I guess you could call it the “Theatre from here, Melbourne and the UK festival,” but it doesn’t have the same edgy-ness, does it? Continue reading WTF! It’s another theatre festival!!